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The joy (and pain) of editing a novel

When I finished the first draft of my upcoming third novel, The Wanderer and the New West, it was only the beginning of an equally important writing process — editing.

Editing is more than fixing typos. Over the past few months, I have gone into detective mode — reading and re-reading my story and taking notes about what I need to add, what I need to cut, and what I need to reorder. Writing a novel takes a lot of time, and a lot of things — including characters and writing style — can (and should) evolve as you write. Sometimes as I write, I know that a scene doesn’t quite work, but don’t have an immediate solution. Rather than bash my head against the wall, I just move on to the next scene, because in my experience the perfect solution often comes along later when I’m solving something else.

Sometimes, editing feels like this. But it’s worth it! Credit: @GUARNIERI / ELLO

Cutting scenes can be hard. One of my problems is that I’ll write a joke or a bit dialogue that I believe is terribly clever, but in fact does nothing for the story. Usually my wife and editing ally Mallika calls me out on (and ruthlessly chides me for) such passages. It’s hard to hit the delete button, but in the end it’s better for the overall story. This is why I always am wary of new editions of novels or movies that restore previously cut material. In most cases, scenes or chapters are cut for a reason.

While I have cut some unnecessary segments in The Wanderer since the first draft, I’ve also added a few chapters in the middle to fill what I saw as a void in the plot. Without giving much away, there’s a part about two-thirds of the way through when the heroes decide to go stop the bad guy. In my original draft, however, there didn’t seem to be quite enough pushing them to make that decision beyond my fervent wishes as the author. As I went to work coming up with a new episode, I inadvertently addressed a few other weaknesses along the way (remember what I said before about waiting for the perfect solution?). I didn’t just fill a plot hole; I created one of my favorite sequences in the novel!

Editing is hard. It takes a lot of time. But it’s also a lot of fun. And when you read the end product, I think you’ll agree it’s worth it.

I am happy to say I’m getting close to the finish line for my edits, but of course, that will only mark the start of the next challenge: getting the story through someone who does this for a living — a professional editor! How’s that going to go? Stay tuned!

Win a paperback of my first novel WE, THE WATCHED from Goodreads!

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A matter of perspective

First-person or third-person? Past or present tense? These are questions that I think about a lot as a writer.

We, The Watched by Adam BenderMy first novel We, The Watched employs first-person perspective with a present tense, but it took me a few tries on chapter one to get there. I remember trying third-person past, and then first-person past, but neither seemed to serve the story of a man who wakes up with no memory in a surveillance society.

In the end, I chose first-person because the story is about one man named Seven’s struggle to conform in a totalitarian world, and this perspective allowed me to really flesh out his internal conflict. Because Seven has no past, telling his story in present-tense felt right, too.

This POV was also great for making the reader feel like he or she was Seven. Readers come into books with no knowledge of what came before–and so did Seven. First-person present seemed the perfect way to make the reader feel like a participant in the plot.

Also read: World building in dystopian novels We, The Watched and Divided We Fall

While this perspective worked well, I decided to shake things up for the sequel, Divided We Fall.

Divided We Fall by Adam Bender

My second novel is no longer about one character, but two. Seven learns more about who he was before the events of We, The Watched, including an important person who he left behind. I opted for third-person this time so that I could smoothly switch between the perspectives of the two protagonists and highlight their relationship.

With third-person, you can do an omniscient, narrator style where the reader sees everyone at once and can see into everyone’s head. However, since Divided We Fall is about two people, I chose to limit each scene to just one of their perspectives. I like this approach because I think it makes readers feel more invested in the story–as if the events are happening to them.

This approach actually gave me a lot more freedom to play around with time. The perspective in my first novel forced me to follow Seven even when there was not a lot of action happening. In Divided We Fall, I could jump to a different character when things got dull, and jump back when they became exciting again.

Meanwhile, choosing past tense helped reflect that Divided We Fall is very much a book about looking back and coping with how things can change.

My upcoming third novel, The Wanderer and the New West, similarly uses third-person past perspective. However, I have expanded the number of POVs to include about seven main characters. This flexibility adds an epic quality to the story and keeps action levels high.

Of course, figuring out which character’s perspective to use in a given scene or chapter is not always obvious. Sometimes one character’s voice will bring a unique flavor that another’s does not. In some cases I’ve rewritten scenes several times before finding the best voice.

So wait, two books in a row with third-person past? Does that mean I’ve decided it’s the best way to tell a story?

No way! Actually, I recently wrote a short story (coming soon) in the world of We, The Watched and I went back to first-person present. I think it came out great! The decision on which perspective to use comes down to the story. What works for one kind of book won’t necessarily work for another. Often, it’s trial and error gets me to the right angle. The important thing is to keep trying and never be afraid of rewrites!

Feature image: “Relativity” (1953) by M.C. Escher

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The Wanderer: First draft complete!

Last month, I told you about my month of writing. With my next novel two-thirds of the way finished, I dedicated myself to writing every single day for about 25 days (not including weekends). I’m happy to report that after a fun, incredibly grueling month of writing I have indeed completed the first draft of The Wanderer and the New West.

I have a lot of editing to do before I can show it to you all, of course. But it feels great to have a beginning, middle and end down on the page. The length of the book in its current form is about 92,000 words, though I expect this to change during editing. That makes the book about 5,000 words longer than my last novel, Divided We Fall.

The Wanderer and the New West revives the western genre with a knockabout adventure set in an America with a hands-off government and minimal restrictions on guns. This America of tomorrow has returned to the ways of the Wild West, a lawless land where people make their own justice.

The Wanderer is a mysterious gunman who travels around this New West helping people wherever the train takes him. A disillusioned journalist named Rosa Veras seeks to find out why, but soon finds her own life in danger when she exposes dark truths about the gun monopoly, Breck Ammunition.

I have to say I’m really happy with it. The Wanderer has the most action I’ve ever packed into a novel, and I can’t wait to introduce you to my most colorful cast of characters yet. Like We, The Watched and its sequel, the adventure is underpinned by political debate–this time about guns.

Okay, so I spent a month on finishing this novel. What’s next? I’ve begun the editing process, going through each chapter and making sure they’re as good as they can be. After this, I’m going to get a handful of people to read it and provide feedback. Then I’ll need a copy editor to tease out any typos. When the manuscript is completely polished, I plan to submit it to literary agents. If that doesn’t work out, I’ll move into self-publishing mode.

With any luck, I’ll have a book for you in 2016. I’d love to release it sooner, but it will depend how things go. Of course I’ll keep you updated on the process! Please subscribe to my newsletter and keep watching this blog for news.

In the meantime, I plan to go back to work on my screenplay for We, The Watched. I’m also working on releasing a short story based on that world called “Fire Eyes,” so look out for that, too.

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My own NaNoWriMo

I’ve yet to do NaNoWriMo.

For the uninitiated, National Novel Writing Month is an annual event taking place in November in which writers try to complete a novel in a single month. It’s a great idea, but I’ve never participated.

For one thing, I work full-time as a journalist — basically writing all day — and I’ve never had the time or energy to participate. Also, maybe I’ve just never had the timing right. Every time November rolls around, I seem to be in the middle of a project and I don’t want to lift my head up to work on something new.

Still though, I’ve always liked the idea of spending a month just focusing on creative writing — a month to bash out ideas and just get in the flow of writing.

Thanks to the encouragement of my lovely wife Mallika, I’m finally going to do it. Okay, so not in November, and I’m not starting from scratch on something new… but I am going to spend the next month making a full-on effort to finish my in-progress third novel, The Wanderer and the New West.

Our time in Australia is in its sunset. Photo taken in Broome, Western Australia.

I wouldn’t be able to do this if not for the fact that Mallika and I are in the midst of a huge life change. After three years living and working in Australia, we have decided to move back to the USA. I finished working at IDG Australia at the end of March, and as a result have about four solid weeks to focus on my novel.

As mentioned in an earlier post, I’m about two-thirds of the way through. I’ve written all that over about two years (including development of the idea and the actual writing), all while self-publishing and promoting my first two novels and working that full-time job to which I keep referring. I think now, though, that I’ve got enough momentum to finish the remaining third of the first draft in the next month if I give it my devoted and undistracted attention.

Happy to report I got to work today and wrote two new scenes and tuned up a few existing chapters. I have to say that it felt really good. In fact … I better get back to work!

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Library Journal tags We, The Watched in SELF-e

SELF-e logoI’m excited to say that my dystopian novel We, The Watched will join SELF-e, a select list of self-published eBooks curated by Library Journal and Biblioboard!

This means my novel will soon be available to libraries all over the US through BiblioBoard Library. The first Library Journal SELF-e curated collection is expected to be available to libraries in mid-2015.

We, The Watched will also soon be available to readers throughout my home state of Pennsylvania in the Indie PENNSYLVANIA module as a highlighted selection.

The idea behind SELF-e is to expose notable self-published eBooks to readers around the country who are looking to discover new authors. Libraries can make ebooks available for free with no requirement to return the book and no multi-user restrictions.

Hugh Howey, author of the sci-fi series Wool and a major advocate for self-published work, has had some great things to say about SELF-e.

“The number one challenge any author has is building an audience,” he says on the BiblioBoard website.

“Once they have an audience, they have an opportunity to grow their work We, The Watched by Adam Benderprofessionally. Librarians can be a powerful marketing force for emerging authors, especially if they can promote the books without fear of success. The SELF-e approach to curation combined with simultaneous user-access will encourage books to be discovered and even go viral.”

In We, The Watched, an amnesiac struggles to conform in a surveillance society he doesn’t remember. Resistance is heresy and punishable by death. But some seek to ignite a revolution.

You can buy the novel in print and eBook from Amazon, Barnes & Noble, Apple and other major online bookstores.

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Adam Bender | adambenderwrites.com | watchadam.blog